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Hey, Alexa, Are You a Golem?
On the eve of destruction & after the apocalypse: Lisa Clair's "Willa's Authentic Self" & ruth tang's "Work Hard Have Fun Make History"
May 25
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Joey Sims
Some Reflections, On and Off-Off-Broadway
Post-Tony Award nominations thoughts on shows on & off the main stem
May 4
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Joey Sims
1
January 2023
January Festival Round-Up
Under the Radar, Exponential & Prototype all return for a packed festival season
Jan 20
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Joey Sims
4
December 2022
Best Theater of 2022
Time for the list.
Dec 30, 2022
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Joey Sims
5
1
It's So I Don't Kill Myself: Millennial Playwrights Seek Beauty in the Despair
Will Arbery's "Evanston Salt Costs Climbing," Bailey Williams's "Events" and Milo Cramer's "School Pictures" find wit and wonder, if not exactly hope
Dec 16, 2022
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Joey Sims
3
November 2022
Jewish Theater: First, the 7 Days of Creation, Then a Hookup With a Hot Israeli Cousin
Two female artists, Liba Vaynberg and Sophie Zucker, explore Jewishness in the present tense
Nov 18, 2022
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Joey Sims
3
October 2022
Young Love and Indefensible Evil: The Dilemma of "This Beautiful Future"
Lead producer Oliver Roth discusses Rita Kalnejais' divisive play, empathy for hateful characters, and the state of off-Broadway commercial producing
Oct 11, 2022
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Joey Sims
2
1
Lost in the Wilderness, On An Abandoned Lot in Queens
Silencio Theatre Projects gives UK playwright Simon Longman’s ‘Gundog’ an unlikely US premiere
Oct 1, 2022
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Joey Sims
August 2022
Eight Ukrainian Children and the Limits of Theater
Irondale brings "Mom On Skype" direct from Ukraine - but are we really listening?
Aug 19, 2022
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Joey Sims
2
July 2022
An Improv Musical, a Search for Belonging and a Seance - East to Edinburgh Is Back
Pre-Fringe showcase makes its in-person return at 59E59 Theaters
Jul 24, 2022
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Joey Sims
1
June 2022
Talking Babies, Sci-Fi Cabarets & The Return of Circle Jerk
It's (Another) Off and Off-Off-Broadway Round Up
Jun 15, 2022
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Joey Sims
April 2022
“War Dreamer” Delves Into A Mind Gripped by Warfare, Trauma and Nanobots
Loading Dock opens up process to audiences on first post-shutdown work
Apr 1, 2022
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Joey Sims
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